We were delighted to host our annual private viewing of the Archibald, Wynne and Sulman Prizes at the Art Gallery of NSW, a highly anticipated art event. With our largest turnout to date, it was a vibrant and memorable evening, firmly cemented as a highlight of the Foundation calendar.
In welcoming guests, Foundation President Judy Lowy reflected on the power of art to explore identity, noting that this year’s exhibition held special resonance for our community. She acknowledged the challenges of recent years, observing that identity in such times is not abstract, but something to be actively nurtured and protected. She reinforced the vital role Moriah plays in building pride, belonging and confidence in the next generation of Sydney’s Jewish children.
Rabbi Gad Krebs reflected on the role of creativity in shaping society, noting that just as artists influence how we see the world, Moriah educators have the responsibility of guiding and shaping young minds, like canvasses, so that they become the people they can be and need to be, as the future leaders of their generation.
Insights from Maud Page and Alex Ryvchin
We were honoured to again hear from Maud Page, Director of the Art Gallery of NSW, and to welcome Alex Ryvchin for a thoughtful and deeply personal conversation.
Maud reflected that this year’s Archibald, Wynne and Sulman Prizes have drawn record audiences and significant public attention, underscoring the continued relevance of portraiture in telling contemporary Australian stories.
With more than 2,500 entries and a strong presence of emerging artists as well as of female artists, she noted a shift towards works that combine technical excellence with deeper social impact and personal narratives.
Alex with his tefillin in the sea
Turning to the portrait of Alex by Michael Zavros, Maud described the work as both technically masterful and emotionally compelling. She highlighted the quiet symbolism of Alex walking into the water and turning back towards the viewer, capturing a moment that holds both sadness and hope. She emphasised the artist’s restraint in avoiding sensationalism, instead offering a contemplative and deeply human portrayal that invites reflection.
The portrait has generated strong engagement, prompting discussion around identity, representation and what it means to be Jewish today.
Alex spoke candidly about his experience, reflecting on the sense of stillness captured in the work, a feeling that resonates with the past two and a half years. He shared how meaningful it has been for the community to see someone they identify with represented so openly and recognisably on such a prominent stage.
He expressed the hope that viewers, especially younger generations, see both vulnerability and strength, along with a deep pride in Jewish identity, resilience and service to community.
Both Maud and Alex noted the positive public response, characterised by curiosity and respect.
Maud reinforced the importance of ensuring the gallery remains a place where all communities feel welcome, represented and able to engage in open dialogue. Her empathy for what our community has endured these last few years and her commitment to leading this important public institution with morality was deeply appreciated by the audience.